Gerry’s chambers are a controlled chaos. The stone walls are hugged by creeping plants, and book shelves crowed by tomes, apothecary jars, and sundry items ranging from quills to hunks of jade. One corner of the room is taken up by an L shaped work bench, where large pots are being used to house new stains of plants, and glass germination tubes sit beneath a complicated network of funnels, condensers and flasks. At one end of the work bench is a flat black alchemy tablet, chalk, coal, crystal and bits of salt littered around it. A cabinet of dark blue glass sits at the end of the bench, where Gerry’s private stock of dried herbs, salves, and potions are kept.
The other corner is occupied by a large desk and chair. On the desk is what looks like a heavy looking copper puzzle box, the lid secured with a snake shaped locking mechanism. Inlaid in the lid is an orchid. Inside the box are letters, (the majority hailing from Venice over the course of two decades), muggle photographs, (one of her mother as a young woman hanging on the arm of a man whose face is lost from over exposure), a drawing sketched by a young American, (Gerry sitting on a window ledge, body facing away, but looking over her shoulder, the line of her back and the angles of her shoulder blades bare, a rumpled sheet around her hips like an afterthought) a pressed black orchid, ( “-this is the secret to true black Gervasius. Like mixing black ink, you must go full circle through the spectrum-”), a Venice House letter seal, (dark blue Murano glass handle, and heavy copper stamper, a gift from Gavino when she left for Beauxbatons), and a silver crucifix, (“Don’t give me that look sis, it’s also a lock pick. Ten to one you’ll end up in cuffs at some point.” – “Aww, all ways looking out for me, Sal.” – “Someone has to keep tabs on you.”)
Near Gerry’s desk is a fireplace, darkened with soot, the blue of the stone work scorched and smudged. A sugar jar painted with fireflies sits on the mantle, a spill of tell tale floo powder around the lip.
Hanging above the fireplace are two swards, an Italian style rapier, and a gently curved katana. These are the only visible weapons in Gerry’s room.
Instead of a door, a heavy blue silk curtain separates the work area from Gerry’s bedroom. The bed is in the center of the room, the headboard against the wall. The bedspread is a deep purple with sheen. Not immediately visible, is a large labyrinth in the stitch work.
The armoire is kitty cornered on the left and “organized” only by the loosest definition of the word. The doors are open, with robes and muggle clothes hanging from them, a top hat perched off the edge of one of the doors. A vanity table and bench is kitty cornered in the right of the room. There is a jade jewelry box, black fingerless gloves, and a pocket watch on the surface (the watch has six ticking hands and is missing the number two numeral).
On the right wall down from the vanity is a nook, a small breakfast table and two chairs snug under the window.